2024.03.16 – 2022.04.25
Antenna-Tenna: Project Space
Antenna Space is pleased to announce the opening of the project space. Inaugurated in Spring 2021, “Antenna-Tenna” is a commissioning program that further facilitate Antenna Space’s experimental programming and foster emerging artists. Independent of the gallery’s regular exhibitions, this alternative space adapting to the rhythm of the production cycles, provides context and opportunity for site-specific exhibitions with softness. Simultaneously, as a metaphorical escape, “Antenna-Tenna” continually questions the potential for institutions to re-enter the periphery of knowledge production, aiming to contemplate boundary, connection and fluidity in a broader and more discursive way.
Unfolding across the praxis of twelve artists, “Antenna-Tenna” retraces a cartography of sensibility that lies latent beneath established modes of social organization and art historical sequences. Through the threads of contingency, affect, fiction and self-fiction, the exhibition weaves loose yet rich connections among these works. Departing from historical moments of political pragmatism, this meandering cartography introduces a methodology of approaching artistic praxis and strategy: one that allows attention to rest on the blank-leaving between subjects, emphasizes correlation and its generation, and consistently preserves the openness of interpretation.
The state of “being absent-minded” becomes the artworks’ response to the chaotic contemporary. In the indirect language and free-flowing interaction, they jointly form an open visual system where the accurate symbolic or media archaeology is barely obtainable within, but is full of unincoprorated emotions, fictional narratives and flashbacks. This kind of spiritual detachment and defocus can be regarded as “world making”, because it recognizes the lack that is normalized as reality, makes us give up the inherent knowledge of daily life, and tries to deal with it through ephemerality and absence. It is both a critique and an additive or reparative gesture.
To measure each present moment with full perception, to meditate in distraction, to perceive the aura and witticism in random collages and responses – such practices are akin to observing the world through introspection and generating new connections; in essence, such reintegration from within outward is also a conception of potentiality and possibility, it weakens the structure of reality, and replaces it with another parallel time and place. Creation and remaking not only awaken the energy contained in the mundanity and intimacy, but also seek to intervene in the binary world reduced by institutions and ideologies with an alternative epistemology.
Like the vaguely intertwined chemtrails in the sky, “Antenna-Tenna” signifies a vast network of connections and correspondences, delineating a world that has not yet fully present, but is gradually emerging on the horizon; crossing the borderland between East and West, periphery and center, diasporic and congregative, it points to an elsewhere beyond the rifts of geopolitics and culture.
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B1-7, 9 Qufu Road, Jing’an, Shanghai
Wednesday to Saturday 11:00-18:30
Installation Views
Artworks
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Leidy Churchman, Infinitely Rich Qualities of Mind, 2024
Oil on Linen
43.18 x 50.8 cm作品信息Information -
Owen Fu, Untitled (Lantern Grass), 2024
Oil on Linen
91.44 x 182.88 cm作品信息Information -
Zhou Siwei, Tattoo (Drifting Flame Malevich), 2023
Oil color on linens
120 x 100 cm作品信息Information -
Yu Honglei, Gold Sand River, 2016
Left: stainless steel, metal piece, acrylic
Right: fiberglass, acrylic paint
235 x 230 x 45 cm作品信息Information -
Li Ming, The Phantom That is Screen, 2016
iPad, Epson Micro spray on canvas, kite skeleton
Video: 00:07:46
Installation: 140 x 2.5 x 300 cm (6 pieces)The kite installation image courtesy of the artist, By Art Matters, Hangzhou and Antenna Space, Shanghai. Photo © Young
作品信息Information -
Peng Zuqiang, Déjà vu, 2023
Mixed media installation, loop, 2023-24
16mm film, sound, clay, iron oxide
00:02:45* The work consists of three parts (analogue film, digital sound and sculpture), which is only projected on film
作品信息Information -
Guan Xiao, Window – Soft Cheek, 2019
Elm, acrylic coloring, colored rope, dyeing fiberglass, 3D print, perpetual motion toy, LED lamp
230 x 180 x 38.5 cm作品信息Information -
Guan Xiao, Windows – Wheat Field, 2019
Elm, acrylic coloring, colored rope, dyeing fiberglass, 3D print, perpetual motion toy, LED lamp
230 x 180 x 38.5 cm作品信息Information -
Owen Fu, Untitled, 2023
Ink on paper
66 x 40 cm (with frame)作品信息Information -
Owen Fu, Untitled, 2023
Acrylic on canvas
20 x 20 cm作品信息Information -
Xinyi Cheng, Midday Troubles, 2022
Lithograph
49.5 x 65 cm作品信息Information -
Li Yong Xiang, Headpiece 3, 2024
Acrylic, varnish and glass bead on UV print on gessoed MDF, stainless steel hinge
20 × 115 cm作品信息Information -
Yu Honglei, [][][][][][]#4, 2019
尉洪磊Oil on Canvas
51 x 40.5 cm (6 pieces)作品信息Information -
Liu Ding, Message 2, 2016
six paintings, a letter, hemp rope,
45 x 70 x 25 cm作品信息Information -
Evelyn Taocheng Wang, Hand Scroll of 23 Hearts, 2021
Ink and mineral color, artist’s seals Turtle Move, Tulip, No Matter What, and E.T.Evelyn on paper
1086 x 48 cm作品信息Information -
Allison Katz, Wings 3 (16), 2017
Acrylic on paper
76 x 55.5 cm; 90 x 73 cm (with frame)作品信息Information -
Allison Katz, Untitled, 2017
Acrylic on paper
76 x 55.5 cm; 90 x 73 cm (with frame)作品信息Information -
Evelyn Taocheng Wang, Dusk, 2017
Video
12’41”作品信息Information