Shuang Li (b.1990, Wuyi Mountains, China). She received her MA in Media Studies from New York University in 2014.

Shuang Li currently lives and works in Berlin, Germany and Geneva, Switzerland. Situated in globalized communication systems and inspired by various localities and uneven information flows, Li Shuang’s work, which encompass performance, interactive websites, sculpture and moving image installations, studies various mediums composing the contemporary digital landscape. Crucial to this practice is the interaction between the medium and its users as well as amongst the mediums themselves. These diverse forms of intimacy form a motif that runs through the artist’s practice, as she explores how various forms of technology bring us into contact, and how they form part of a neoliberal apparatus that regulates the body and desire. Yet her focus is not limited to the virtual, the material lives of those digital landscapes are also included, such as the infrastructure and logistics systems that support it, and more importantly, the cracks in between.

Selected solo exhibitions: Shuang Li: Alliance, Kim association, SG (2026); Shuang Li: NO HEAT, Number 1 Main Road, Berlin, DE (2025); Distance of the Moon, Prada Rongzhai, Shanghai (2024); I’m Not, Swiss Institute, New York & Aspen Art Museum, Colorado, US(2024); Forever, Peres Projects, Milan, IT(2023); Death Star, Galeria Madragoa, Lisbon, PT(2023); nobody’s home, Peres Projects, Berlin, DE(2022); Among Us, Cherish, Geneva, Switzerland (2021); Exit Wound, Callie’s, Berlin, Germany (2020); I Want to Sleep More but by Your Side, Peres Projects, Berlin, Germany (2020); Intro to Civil War, Open Forum, Berlin, Germany (2019); If Only the Cloud Knows, Sleepcenter, New York, US (2018); Comment il s’appelle, Lab 47, Beijing, China (2016).

Selected group exhibitions and Biennales has been presented at the following institutions: Tai Kwun, Hong Kong, CN (2025); HERmit Space, Beijing, CN (2025); ASE Foudation, Shanghai, CN (2025); Huis Marseille Museum for Photography, Amsterdam, Netherlands (2024); Karma International, Zurich, Switzerland (2024); Biennale de l’Image en Mouvement 2024 (BIM’24): A Cosmic Movie Camera, Centre d’Art Contemporain Genève, Geneva, CH (2024); Whitney Biennial 2024: Even Better Than the Real Thing, Whitney Museum of American Art, New York, US (2024); Cosmos Cinema: The 14th Shanghai Biennale, Power Station of Art, Shanghai, CN (2023); Tate Modern, London, UK (2023); Rockbund Art Museum, Shanghai, CN (2022); 59th Venice Biennale, Venice, IT (2022); Para Site, Hong Kong, China (2021); Centre d’Art Contemporain Genève, Geneva, Switzerland (2021); Body Archive Project, Zurich, Switzerland (2021); OCAT, Shanghai, China (2020); X Museum, Beijing, China (2020); International Studio & Curatorial Program (ISCP), New York, US (2020); Guangdong Times Museum, Guangzhou, China (2019).