Stella Zhong

    BIOGRAPHY

    Stella Zhong(b. 1993, China)currently lives and works in New York, NY. She holds a BFA in Glass from Rhode Island School of Design and an MFA from Yale University.

    Stella Zhongs work articulates distance. Her sculpture brings together vast planes and particulate objects in idiosyncratic forms verging on the geometric, infrastructural, and at times, seemingly alive or even edible; her installation discloses only a sliver of this acute scaleshift, compressing layered contexts to the periphery. Engaging with physics, architecture, and personal, playful imagination, Zhong makes tactile both the cosmic and the internal, destabilizing definitions at every turn. She builds spaces precisely to break them down into somewhere metaphysicaloften with a precarious placement, an inaccessible zone, a thin threadin which centers shift and powers become unsettled: incommensurable states intersecting to create new histories.

    Zhong has had solo exhibitions at Antenna Space, Shanghai, CN; The Intermission, Piraeus, GRC; Chapter NY; Fanta-MLN, Milan; Adams and Ollman, Portland, OR; and Guan Shan Yue Art Museum, Shenzhen; among others. Zhong has exhibited internationally at Zhong has exhibited internationally at still life, NYC, USA; The Powerstation, Dallas, TX; Asia Art Society, Houston, TX; Leeum Museum of Art, Seoul; SculptureCenter, Queens, NY; The Aldrich Contemporary Art Museum, Ridgefield, CT; Deborah Schamoni, Munich; Grimm Gallery, London/New York; Galerie Wschód, Warsaw/New york; Galerie Marguo, Paris; in lieu, Los Angeles, CA; Peana, Mexico City; YveYANG, New York; Mana Contemporary, Jersey City; HUA International, Beijing; and more. Her work has been reviewed on FlashArt, ArtAsiaPacific, Mousse Magazine, Texte zur Kunst, The New York Times, Art in America, among others.

    Artworks

    ANTENNA-TENNA

    ARTICLES

    • 展评:钟笛鸣 – “凹 DENT” | 艺术论坛 ARTFORUM – 文:钱梦妮

      2024-10-22
      钟笛鸣的装置作品具有简洁规整的几何造型,封闭、平滑、低饱和色的外表让人感觉仿佛某个重要功能等待着被启动。而在不起眼的孔洞、凹槽里总是出人意料地隐藏着另一个微缩版的装置、一个更小的几何体或一丛细碎的颗粒。它们令我不断想到智利作家本哈明·拉巴图特(Benjamín Labatut)通过文学虚构扎入物理学家、数学家意识空间的小说《当我们不再理解世界》。钟笛鸣借由这些具有强烈模型感的作品试图再现的,其实也正是科学家撞到知识壁垒时的壮观场面,好奇心与被撼动的意识界限…

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