Oil on panel
183 x 122 cm
Stella Zhong
BIOGRAPHY
Stella Zhong(b. 1993, China)currently lives and works in New York. She holds a BFA in Glass from Rhode Island School of Design and an MFA from Yale University.
Stella Zhong‘s work articulates distance. Her sculpture brings together vast planes and particulate objects in idiosyncratic forms verging on the geometric, infrastructural, and at times, seemingly alive or even edible; her installation discloses only a sliver of this acute scale–shift, compressing layered contexts to the periphery. Engaging with physics, architecture, and personal, playful imagination, Zhong makes tactile both the cosmic and the internal, destabilizing definitions at every turn. She builds spaces precisely to break them down into somewhere metaphysical—often with a precarious placement, an inaccessible zone, a thin thread—in which centers shift and powers become unsettled: incommensurable states intersecting to create new histories.
Zhong has had solo exhibitions at ROH, Jakarta, Indonesia; Antenna Space, Shanghai, CN; The Intermission, Piraeus, GRC; Chapter NY; Fanta-MLN, Milan; Adams and Ollman, Portland, OR; and Guan Shan Yue Art Museum, Shenzhen; among others. Zhong has exhibited internationally at 69 Art Campus, Beijing, CN; Jeffrey Deitch, Los Angeles, USA; still life, NYC, USA; The Powerstation, Dallas, TX; Asia Art Society, Houston, TX; Leeum Museum of Art, Seoul; SculptureCenter, Queens, NY; The Aldrich Contemporary Art Museum, Ridgefield, CT; Deborah Schamoni, Munich; Grimm Gallery, London/New York; Galerie Wschód, Warsaw/New york; Galerie Marguo, Paris; in lieu, Los Angeles, CA; Peana, Mexico City; YveYANG, New York; Mana Contemporary, Jersey City; HUA International, Beijing; and more. Her work has been reviewed on FlashArt, ArtAsiaPacific, Mousse Magazine, Texte zur Kunst, The New York Times, Art in America, among others.
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Stella Zhong, In the Crosshairs 02, 2025
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Stella Zhong, Trust the High Altitude, 2025
Epoxy-clay, wire, oil paint, aqua-resin, plaster, wood, foam, thread
152.4 (H) x 75 (W) x 101.5 (D) cm
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Stella Zhong, High Pillow Worry Easy, 2024
Oil on paper, fabric, wood, epoxy clay, string, singlechannel video, looped
72.4 x 138.4 x 61 cm
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Stella Zhong, HIGH RISK, 2024
(still)
Macaroni noodle, string, glass, rubber, water, clay in single-channel video
3:45 minutes
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Stella Zhong, Hard-Boiled Revolution, 2024
Oil on wood, foam, magnet, paper, epoxy clay, wire, bead, string, paint
42 x 124.5 x 28 cm
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Stella Zhong, No Time No Consequence No Utopia, 2024
Aqua-resin, wool, foam, wood, cork, paint, wire, epoxy clay, bead, string
17.8 x 150.5 x 16.5 cm 作品信息Information -
Stella Zhong, Button for The Last Course, 2024
Sand, various paints, wood, paper, epoxy clays, magnet, string, wire, plastic, mylar, rubber
Dimensions Variable
As installed: 2m x 3.5m in diameter
Cone Capsule: 16.5 cm x 49cm in diameter作品信息Information -
Stella Zhong, A Billion Light-Years Closer, 2024
Oil on Aqua-resin and plaster, wood, foam, paper, epoxy clays, acrylic paint, string, wire, net
89 x 152.4 x 114.3 cm
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Stella Zhong, Al Dente Until Fearless, 2024
Ink-wash on Aqua-resin, wool, foam, wood, paint, epoxy clay, string, wire
28 x 151 x 14 cm
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Stella Zhong, Hedge Against Sublimation, 2024
Oil on wood, sand, epoxy, foam, epoxy clay string, wire, mylar 29.2 x 80 x 74.3 cm
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Stella Zhong, Nuò, 2024
Epoxy clay, magnet
Dimensions Varible
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Stella Zhong, Free-Range Suns 03, 2024
Oil on wood
16.5 x 7.3 x 4 cm
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Stella Zhong, F as in Dino, 2024
Oil on wood
10 x 7.6 x 4 cm
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Stella Zhong, Warp Until Fearless, 2024
Oil on wood
11.4 x 9.8 x 4 cm
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Stella Zhong, Confetti for That Nightmare, 2024
Oil on wood
9.5 x 7 x 4 cm
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Stella Zhong, Revolution without Program, 2024
Oil on wood
15.2 x 7.3 x 4 cm
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Stella Zhong, So Hard to be Beansprouts!, 2024
Oil on wood
9.5 x 7 x 4 cm
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Stella Zhong, HIGH RISK SPARE FUTURES, 2024
Single-channel video (“HIGH RISK”), sand, epoxy, paper, wire, magnet, paint, wood
51 1/8 x 214 5/8 x 118 1/8 in (130 x 545 x 300 cm)
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Stella Zhong, Solitude in a Spare Atmosphere, 2024
Aqua-resin, wood, oil paint, epoxy clay, foam, string, wire
32 3/8 x 13 1/4 x 13 in (82.2 x 33.7 x 33 cm)作品信息Information -
Stella Zhong, Rhizomatic Destruction, 2024
Oil on panel
72 x 48 in (182.9 x 121.9 cm)
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Stella Zhong, CHIP2023 – Splits, 2023
Single-channel video (“Loss of coherence”), projector, acrylic, tin foil, mirror, aqua-resin, oil paint, string, mylar, wool, wood, foam, sand, epoxy, pigment, magnet, epoxy clay, wire, beads.
38 x 53 x 117 1/2 in (96.5 x 134.6 x 298.4 cm)
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Stella Zhong, Object of High Inertia 015, 2023
Oil on panel
48 x 60 in (121.9 x 152.4 cm)作品信息Information
Artworks
ANTENNA-TENNA
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展评:钟笛鸣 – “凹 DENT” | 艺术论坛 ARTFORUM – 文:钱梦妮
2024-10-22 钟笛鸣的装置作品具有简洁规整的几何造型,封闭、平滑、低饱和色的外表让人感觉仿佛某个重要功能等待着被启动。而在不起眼的孔洞、凹槽里总是出人意料地隐藏着另一个微缩版的装置、一个更小的几何体或一丛细碎的颗粒。它们令我不断想到智利作家本哈明·拉巴图特(Benjamín Labatut)通过文学虚构扎入物理学家、数学家意识空间的小说《当我们不再理解世界》。钟笛鸣借由这些具有强烈模型感的作品试图再现的,其实也正是科学家撞到知识壁垒时的壮观场面,好奇心与被撼动的意识界限…