{"id":7374,"date":"2022-09-21T09:27:37","date_gmt":"2022-09-21T09:27:37","guid":{"rendered":"http:\/\/antenna-space.com\/?p=7374"},"modified":"2023-05-16T09:18:46","modified_gmt":"2023-05-16T09:18:46","slug":"nideroutiwodeshi","status":"publish","type":"post","link":"http:\/\/antenna-space.com\/en\/nideroutiwodeshi\/","title":{"rendered":"And Your Flesh Is My Greatest Poem: Sitara Abuzar Ghaznawi, Isabelle Cornaro, Shahryar Nashat, Dala Nasser, Hana Mileti\u0107, Ser Serpas"},"content":{"rendered":"<p>Antenna Space is delighted to present group exhibition <em>And Your Flesh Is My Greatest Poem<\/em>. The exhibition will be opened on September 27, 2022 and will last until November 3, 2022. <\/p>\n<p>The group exhibition \u201cAnd Your Flesh Is My Greatest Poem\u201d takes its title from a poem itself. Brought together by curator <strong>Mohamed Almusibli<\/strong>, artists <strong>Sitara Abuzar Ghaznawi<\/strong>, <strong>Isabelle Cornaro<\/strong>, <strong>Shahryar Nashat<\/strong>, <strong>Dala Nasser<\/strong>, <strong>Hana Mileti\u0107<\/strong>, and <strong>Ser Serpas<\/strong> explore poetic abstraction in ways relevant to their mutual subject of the body and respective mediums. Risen from the materials of these artists\u2019 fevered process, the painted and sculptural exquisite corpse still bears the inevitable scars of ordinary life. To regard the abstracted, artificialised poetics of the body is complicated, so far from ordinary somatic philosophies. Ripe folds, cartilage, fluid discharge, bloating \u2013 all assessed by the artists as they test the extent to which the remains of the body are functional, and how corporeality may be legitimised on a conceptual level. In uniting these positions under poetry, Almusibli invites reflections on the deconstructed sensorium. <\/p>\n<p>Cornaro\u2019s larger-than-life-size resin pillars show reliefs of bodily and artificial litter (<em>Streams II<\/em>, 2019), however it is Nasser\u2019s naturally-dyed bed sheet compositions which bear closer resemblance to Heidi Bucher\u2019s seminal latex \u201cskins\u201d, despite not sharing the deep cavities of their object-scars \u2013 the largest of her works measuring over three-by-two-and-a-half metres, <em>Al Mina (The Port)<\/em> (2021) slouches to the ground and is gently frottaged with charcoal, ash, salt, and other natural pigments, a subtler archive of the experience of the body of the family among ruins. <\/p>\n<p>Less elegiac, Serpas\u2019 differently sized portraits on unstretched canvas reveal large swathes of skin  belonging to anonymized plastic surgery patients (but not their faces) as she tracks the progress of various surgeries via before and after photos from the website RealSelf. In one untitled work from 2022, the patient looks to be wearing nothing but green latex medical gloves, in another, smaller, work from the same year, the skin around the patient\u2019s  abdomen appears red and sickly yellow, tender perhaps, but this is about our greatest clue regarding the opening up of their  body. <\/p>\n<p>Nashat is most explicit in this regard, showing hunks of meat made from resin (<em>Bone-In<\/em>, 2022), a painting of a landscape of flesh and bones (<em>Boyfriend_10.JPEG<\/em>, 2022), and an assemblage of see-through vinyl bags filled with his lover\u2019s yellow urine laid out on a foam mattress (<em>Lover_25.JPEG<\/em>, 2022). Likewise, peeking between the chrome legs of Abuzar Ghaznawi\u2019s bar-stool-bodies (<em>Saint<\/em>, 2021), we see their guts of roses, mesh, foil, empty cigarette packets and other items endemic to her readymade sculptures. <\/p>\n<p>Par Serpas, only Mileti\u0107 seems to err on the side of healing its pragmatics, the forms of her hand-woven and automated <em>Materials<\/em> and <em>Softwares<\/em> textile sculptures (2019-2021) coming directly from the shape of repairs to damaged and transformed inanimate objects in public space. <\/p>\n<p>The sublime aspect of existing within our own bodies is, of course, the myth of their function and how this myth remains mostly sealed within a hermetic unit, the great instinctive adventure of our lives being to keep this unit intact, or at least avoid damage to it at all costs. To consider any body as a sum of its remains causes a crisis of the real. \u201cNothing is familiar, not even the shadow of a memory,\u201d writes theorist Julia Kristeva in her seminal psychoanalytic text <em>Powers of Horror: An Essay on Abjection<\/em> (1980) \u2013 the idol of the body feigns romanticism in its attempt to be sincere.<\/p>\n<p>[1] Julia Kristeva, <em>Powers of Horror: An Essay on Abjection<\/em>, 1980, p.5.<\/p>\n<p>Text: Olamiju Fajemisin<br \/>\nCurator: Mohamed Almusibli<br \/>\nParticipating Artists: Dala Nasser, Hana Mileti\u0107, Isabelle Cornaro, Ser Serpas, Shahryar Nashat, Sitara Abuzar Ghaznawi<\/p>","protected":false},"excerpt":{"rendered":"<p>Antenna Space is delighted to present group exhibition And Your Flesh Is My Greatest Poem. The exhibition will be opened on September 27, 2022 and will last until November 3, 2022. The group exhibition \u201cAnd Your Flesh Is My Greatest Poem\u201d takes its title from a poem itself. Brought together by curator Mohamed Almusibli, artists [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false},"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>And Your Flesh Is My Greatest Poem: Sitara Abuzar Ghaznawi, Isabelle Cornaro, Shahryar Nashat, Dala Nasser, Hana Mileti\u0107, Ser Serpas - \u5929\u7ebf\u7a7a\u95f4 ANTENNA SPACE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/antenna-space.com\/en\/nideroutiwodeshi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"And Your Flesh Is My Greatest Poem: Sitara Abuzar Ghaznawi, Isabelle Cornaro, Shahryar Nashat, Dala Nasser, Hana Mileti\u0107, Ser Serpas - \u5929\u7ebf\u7a7a\u95f4 ANTENNA SPACE\" \/>\n<meta property=\"og:description\" content=\"Antenna Space is delighted to present group exhibition And Your Flesh Is My Greatest Poem. 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