Peng Zuqiang (b. 1992, Changsha) currently lives and works in amsterdam. He graduated from the Goldsmiths, University of London in 2014, and from the School of the Art Institute of Chicago in 2017. He makes film, video and installations, with an attention to the affective meaning within histories, bodies, and language.

Peng has received fellowships and residencies from Luma Foundation (2025); Art Explora – Cité internationale des arts (2024); Rijksakademie, Amsterdam, The Netherlands (Fall 2022 – ongoing); IAS CEU, Budapest, Hungary (2022); Organhaus, Chongqing, China (2021), Skowhegan School of Painting & Sculpture, Maine, US (2019); The Core Program, Museum of Fine Arts, Houston , US (2017-2019). He was awarded the Illy Present Future prize 2022, and a “Special Mentions” at the Festival Film Dokumenter in Yogyakarta, Indonesia with his first feature film, Nan (2020).

Solo exhibitions and screenings: Vestiges, Fondazione Sandretto Re Rebaudengo, Turin, IT (2023); Vestiges, Kunstverein Kevin Space, Vienna, AT (2023); Souvenirs of Friction, E-Flux screening room, New York, US (2022); Sideways Looking, Cell Project Space, London, GB (2022); Peng Zuqiang: Hesitations, Antenna Space (ANTENNA-TENNA project, venue supported by Objective Gallery), Shanghai, CN (2021).

Selected screenings and group exhibitions: Frame[o]ut Festival, Museum Quartier, Vienna, AT (screening, 2024); Alchemy Film and Moving Image Festival, Hawick, Scotland, UK(screening, 2024); ba̍k-nih-á film festival 2 Times Ex-Tense, Taipei, TW(screening, 2024); It’s Gonna Rain: Sino-German Contemporary Time-Based Art Screening, Department of Culture and Education of the Germa Consulate General in Shanghai, Shanghai, CN(screening, 2024) ; Follow the Feeling, Times Museum Guangdong, CN(2024); It was a hot day, a day that was blue all through, Galerie Crèvecoeur, FR(2024); Project space opening, Antenna -Tenna, Shanghai, CN(2024); I’m so into you, the Physics Room, NZ(2024); Dream Time, UCCA Beijing, CN (2024); 22nd Biennial Sesc_Videobrasil: Memory is an Editing Station, Sesc 24 de Maio, São Paulo, BR (2023); Horizons: Is there anybody out there?, curated by Robin Peckham, Antenna Space, Shanghia, CN (2023); The Difficult Art of Taking a Walk, CCA Berlin, DE (2023); CinemAsia Film Festival: European Media Art Festival (EMAF 36), Osnabrück, DE (2023); Double Feature, Schirn Kunsthalle, Frankfurt, DE (2022); Oceans of Time, Chateau Shatto, Los Angeles, US
 (2022); 25FPS, Zagreb, HR (2022); Kassel Documentary Film and Video Festival (Kassel Dokfest), DE (2022); 2022 OCAT x KADIST Emerging Media Artist Program: In Solidarity with__, OCAT, Shanghai, CN (2022); The Elephant Escaped, Macalline Art Center, Beijing, CN (2022); One song is very much like another, and the boat is always from afar, Times Museum, Guangzhou, CN (2021); ‘NEUTRON’ mid-length program, Beijing International Short Film Festival, CN (2021); Más alláel mar canta, Times Art Center Berlin, DE (2021); A Long Hello, UCCA Beijing, CN (2020); IDFA – First Appearance section, Amsterdam, NL (2020); Festival Film Dokumenter (FFD), Yogyakarta, IN (2020); Borders | No Borders program, Houston Cinema Arts Festival, US (2020) and among others.