Eight-channel HD digital video , color, sound
Video 1: 00:02:30
Video 2: 00:02:30
Video 3: 00:02:30
Video 4: 00:02:30
Video 5: 00:03:53
Video 6: 00:03:53
Video 7: 00:03:53
Video 8: 00:03:53
During four different times in the same space, the artist has completed an image-making process from “imagination – realizing the imagination by means of a video camera – recovering the imagination through body movements”.
Treating his body as a prop, the artist interacts with various means of transportation in the video, offering meaningless “relationships” for the audience to consume.
In the video, “actions” have been “performed” as kind of texts – the serial movements as hidden montages in the long scenes, merely “occurs” without any meanings in fact. What the artist cares is whether his cooperating relationship with the video camera could interact with the audiences and how the artist, the video camera and the audiences control one another. Every prop shown in the video is not only a motivation that guides the artist’s movements, but also a trap leading audience to control the props by their consciousness. And these motivations are arranged into a certain pace to make the movements simply for looking at.