Mire Lee (b. 1988, Seoul) currently lives and works in Amsterdam. She received both her BFA in Sculpture in 2012 and her MFA in Media Art in 2013 from the Seoul National University College.

Mire Lee’s works, often eclectically made of industrial materials such as concrete, silicone, steel and clay, oscillate between horror and arousal and see violence as a central component of subjectivity. Low-tech kinetics and works of immobile dominance that are imbued with brutality and sexuality, force the viewer into a position of fetishistic obsession, voyeurism, and boundary violation. With her works, Lee negotiates questions of bodily porosity, acceptability and power, while creating a space that feels simultaneously industrialized and primordial.

Selected solo & duo exhibitions: Faces, Sprüth Magers, Los Angeles, CA, US (2025); Hyundai Commission: Open Wound, Turbine Hall, Tate Modern, London, UK (2024); Mire Lee: Black Sun, The New Museum, New York, US (2023); As We Lay Dying, Kunstmuseum Den Haag, Hague, The Netherlands (2022); Look, I’ m a fountain of filth raving mad with love, Museum für Moderne Kunst, Frankfurt, Germany (2022); Carriers, Tina Kim Gallery, New York, US (2022); HR Giger & Mire Lee, Schinkel Pavillon, Berlin, Germany (2021); Carriers, Art Sonje Center, Seoul, South Korea (2020); among others.

Selected group exhibitions: There Is a Crack in Everything, Jewish Museum of Belgium, Bruxelles, Belguim (2025); Connecting Bodies: Asian Women Artists, National Museum of Modern and Contemporary Art, Seoul, Korea (2024); My Last Will, Casino Luxembourg-Forum d’art contemporain, Luxembourg(2024); Territory, Sprüth Magers, Berlin, Germany(2024); Dream Machines, DESTE Foundation, Centre for Contemporary Art, Athens, Greece (2023); Busan Biennale 2022: We, On the Rising Wave, Busan, South Korea (2022); 58th Carnegie International: Is it morning for you yet?, Carnegie Museum of Art, Pittsburgh, US (2022); The 59th Venice Biennale: The Milk of Dreams, Giardini della Biennale and the Arsenale, Venice, Italy (2022); Future Generation Art Prize 2021, Pinchuk Art Centre, Kiev, Ukraine (2021); Techno, Museion, Museo d’arte Moderna E Contemporanea, Bolzano, Italy (2021); Contamination, Kunstverein Freiburg, Freiburg, Germany (2021); Breathing through Skin, Antenna Space, Shanghai, China (2020); (Im)Possible Bodies, Niet Normaal Foundation, Den Bosch, The Netherlands (2020); As time went on, a rumor started, Gianni Manhattan, Vienna, Austria (2020); Other. Worldly, Friesmuseum, Leeuwarden, The Netherlands (2020); The 15th Biennale de Lyon: Where Water Comes Together With Other Water, Lyon, France (2019); Surface Tension, Sharjah Art Foundation, Sharjah, UAE (2019); Lubricated Language, AKINCI, Amsterdam, The Netherlands (2019); The 12th Gwangju Biennale: Imagined Border, Gwangju, South Korea (2018); Double Negative, Arko Arts Center, Seoul, South Korea (2018); Moving/Image, Arko Art Center, Seoul, South Korea (2017); among others.