Mineral pigment on handmade watercolor paper
27 x 22 cm
Xinyi Cheng (b. 1989, Wuhan, China) currently lives and works in Paris. In Cheng’s artistic practice, reflecting upon people’s life and playing with internal layers in the background, she carefully constructs scenes of interactions and intimacies. Those scenes mirror the characters’ inner world and further create a sensual experience for the viewers.
Cheng studied at the Academy of Arts & Design at Tsinghua University and at the Maryland Institute College of Art. In 2019, Xinyi Cheng was awarded the Baloise Art Prize 2019 of Art Basel. From 2016 to 2017, she participated in the residency program at Rijksakademie van beeldende kunsten in the Netherlands. In 2014, she participated in the Artist Residency program at Skowhegan, Maine.
Selected solo exhibitions: Xinyi Cheng, Matthew Marks Gallery, New York, US (2022); Seen Through Others, Lafayette Anticipations, Paris, France (2022); The Horse with Eye Blinders, Hamburger Bahnhof—Museum für Gegenwart, Berlin, Germany (2020); Statements, Art Basel: Cheng Xinyi’s solo presentation with Galerie Balice Hertling, Basel, Switzerland (2019); Parure, Condo London: Antenna Space × Carlos/Ishikawa, London, UK (2019); Harnessing the Power of Wind, Antenna Space, Shanghai, China (2018); The hands of a barber, they give in., Galerie Balice Hertling, Paris, France (2017) among others.
Selected group exhibitions: Portrait of a Collection, Songeun, Seoul, South Korea (2024); Coming Soon: While Waiting For Tomorrow, Lafayette Anticipations, Paris, France (2024); Horizons: Is there anybody out there?, curated by Robin Peckham, Antenna Space, Shanghai, China (2023); Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, US (2023); Significant Form, Matthew Marks Gallery, Los Angeles, US (2022); Smashing Into My Hart, The Renaissance Society, Chicago, US (2021); The Displacement Effect, Capitain Petzel, Berlin, Germany (2021); The 13th Shanghai Biennale: Bodies of Water, Power Station of Art, Shanghai, China (2021); Anticorps, Palais de Tokyo, Paris, France (2020); Drawing 2020, Gladstone Gallery, New York, US (2020); More, More, More, TANK, Shanghai, China (2020); Private Passions, Karpidas Collection, Dallas, UK (2020); Transcendental Empathy, Antenna Space, Shanghai, China (2018); Ruis! Frans Hals, Otherwise, Frans Hals Museum, Haarlem, The Netherlands (2018); Painting: Now and Forever, Part III, Greene Naftali Gallery and Matthew Marks Gallery, New York, US (2018); Ormai, Galerie Balice Hertling, Paris, France (2018); Rijksakademie OPEN 2017, Sarphatistraat 470, Amsterdam, Netherlands (2017); Coiffeur, Frieze Art Fair, London, UK (2017); Scraggly Beard Grandpa, Capsule, Shanghai, China (2017); Cul-De-Sac, Antenna Space, Shanghai, China (2017) among others.
Mineral pigment on handmade watercolor paper
27 x 22 cm
Oil on linen
90 x 112 cm
Oil on canvas
90 x 70 cm
Monotype on 250g BFK Rives vellum paper
71 x 55 cm (with frame)/ 2 pieces
Monotype on 250g BFK Rives vellum paper
52 x 42 cm
Oil on canvas
80 x 76 cm
Oil on canvas
160 x 145 cm
Oil on canvas
73 × 71 cm
Oil on canvas
146 × 160 cm
Oil on canvas
91 × 101 cm
Oil on canvas
60 x 73 cm
Oil on canvas
120 x 100 cm
Oil on canvas
80 x 71 cm
Oil on canvas
73 × 60 cm
Iwa-enogu on paper
55.5 x 45.5 cm
Iwa-enogu on paper
62.5 x 46.5 cm
Iwa-enogu on paper
62.5 x 46.5 cm
Iwa-enogu on paper
35.5 x 47 cm
Iwa-enogu on paper
35.5 x 47 cm
Iwa-enogu on paper
62.5 x 46.5 cm
Oil on Canvas
160 x 145 cm
Oil on Canvas
120 x 100 cm
Oil on Canvas
115 x 145 cm
Oil on Canvas
160 x 145 cm
Oil on Canvas
145 x 160 cm
Oil on Canvas
80 x 100 cm
Oil on Canvas
92 x 73 cm
Oil on Canvas
200 x 165 cm
Oil on Canvas
145 x 115 cm
Oil on Canvas
73 x 92 cm
Oil on Wood
40 x 60 cm
Oil on Wood
60 x 45 cm
Oil on Canvas
60 x 73 cm
Oil on Canvas
46 x 55 cm
Oil on Canvas
80 x 100 cm
Oil on Canvas
80 x 76 cm
Oil on Linen
100 x 80 cm
Pastel on paper
With frame 42 x 32 cm
Pastel on paper
With frame 42 x 32 cm
Oil on Canvas
41 x 33 cm
Oil on Canvas
41 x 33 cm
Oil on Canvas
60 x 100 cm
Oil on Canvas
125 x 150 cm
Oil on canvas
90 × 60 cm
Oil on canvas
90 × 60 cm
Oil on Canvas
46 x 55 cm
Oil on linen
50 × 60 cm
Oil on linen
105 × 90 cm
Oil on Canvas
50 x 40 cm
Oil on linen
140 × 115 cm
Oil on Canvas
73 x 60 cm
Oil on linen
105 × 105 cm
Oil on wood panel
40 × 50 cm
Oil on linen
65 × 54 cm
Oil on linen
115 × 140 cm
Oil on linen
60 × 93 cm
Oil on linen
60 × 50 cm
Oil on linen
165 × 200 cm
Oil on Linen
40 x 50 cm
Oil on linen
80 × 70 cm
Oil on linen
60 × 70 cm
Inkjet print
22 × 31 cm
Oil on linen
60 × 100 cm
Oil on linen
80 × 70 cm
Oil on linen
115 × 140 cm
Oil on linen
125 × 150 cm
Oil on linen
50 × 60 cm
Oil on Linen
80 x 140 cm
Oil on canvas
125 × 150 cm
Oil on Linen
50 x 40 cm
Lithograph
49.5 x 65 cm
2023.09.16 – 2023.10.25
Curator: Robin Peckham
Participating Artists: Korakrit Arunanondchai, Dora Budor, Hilo Chen, Xinyi Cheng, Cui Jie, Simon Denny, Daniel Dewar & Grégory Gicquel, Buck Ellison, Carolyn Forrester, Owen Fu, Sayre Gomez, Guan Xiao, Han Bing, Tishan Hsu , Frieda Toranzo Jaeger, Allison Katz, KAYA (Kerstin Brätsch & Debo Eilers), Matthew Lutz Kinoy, Josh Kline, Stanislava Kovalcikova, Heidi Lau, Li Ming, Yong Xiang Li, Liu Chuang, Jr-Shin Luo, Nancy Lupo, Mai Zhixiong, Helen Marten, Alexandra Noel, Peng Zuqiang, Tara Walters, Evelyn Taocheng Wang, Xie Nanxing, Joseph Yaeger, Yu Honglei, Yu Peng, Zhao Gang, Zhou Siwei (alphabetically)
2019.01.12 – 2019.02.09
Condo London 2019
Antenna Space @ Carlos/Ishikawa
2018.09.29 – 2018.10.30
2018.06.08 – 2018.07.30
2017.07.22 – 2017.09.08
Curator: Franklin Melendez
2022.03.23-2022.05.28
2021.04.17-2021.07.25
2020.10.23-2021.01.03
2020.10.12 – 2021.06.06
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