2023.09.16 – 2023.10.25
Curator: Robin Peckham
Participating Artists: Korakrit Arunanondchai, Dora Budor, Hilo Chen, Xinyi Cheng, Cui Jie, Simon Denny, Daniel Dewar & Grégory Gicquel, Buck Ellison, Carolyn Forrester, Owen Fu, Sayre Gomez, Guan Xiao, Han Bing, Tishan Hsu , Frieda Toranzo Jaeger, Allison Katz, KAYA (Kerstin Brätsch & Debo Eilers), Matthew Lutz Kinoy, Josh Kline, Stanislava Kovalcikova, Heidi Lau, Li Ming, Yong Xiang Li, Liu Chuang, Jr-Shin Luo, Nancy Lupo, Mai Zhixiong, Helen Marten, Alexandra Noel, Peng Zuqiang, Tara Walters, Evelyn Taocheng Wang, Xie Nanxing, Joseph Yaeger, Yu Honglei, Yu Peng, Zhao Gang, Zhou Siwei (alphabetically)
Horizons: Is there anybody out there?
Antenna Space is pleased to announce the 10th anniversary group exhibition “Horizons: Is there anybody out there?” curated by Robin Peckham, from 16 September to 25 October, 2023.
For a decade now, Antenna Space has been true to its namesake as a node in the global art world, sending provocative signals to and from China. The starting point for the project was simple: we invited the artists that Antenna Space represents and collaborates with, and then sent out further invitations to artists who we thought would engage in interesting critical conversations with them. To my mind, Antenna Space has made its name with a program that skews emerging and conceptual, but also accounts for the painterly, the performative, the fleshy, and the technological. In the family of artists that circulate around the gallery, several key themes and languages appear: retro-futurism, encoded painting, symbolic embodiment. I have written the project into eight chapters, each of which adopts a particular sensibility or theme that intersects with these broader umbrellas and is intended to offer nothing more than a framework for conversation.
The English subtitle, “Is there anybody out there?” asks again the question posed by Pink Floyd on their 1979 rock opera The Wall: the protagonist, retreating into himself, sends out non-verbal distress signals in vain. The Chinese subtitle, “mixiu mixiu, did you get the signal?” is a line from the 2009 TV show Autumn’s Concerto, in which a young boy being raised by a single mother is told that his father is an alien living far away on a distant planet. When he tries to signal his father (also in vain), their codeword is mixiu mixiu: “Miss you, miss you.”
I am interested in the emotional resonance of the wounded little boy, two star-shaped antennae wobbling on top of his head, shouting at the sky in search of love. It is in this spirit that I would like to invoke the figure of the event horizon, which we have understood through movies as the position from which nothing escapes a black hole—the point of no return. As I am learning, there is an event horizon to every observer’s relationship to every object in a gravitational field, an invisible line over which whatever happens can no longer reach us as observers. At some infinitely distant theoretical point past the horizon of the cosmos in our expanding universe, signals sent towards us now will never arrive. We may extend our antenna infinitely—and we will—but our hope is our only defense against the impossible.
Taken in total, “Horizons” organizes a wildly diverse group of extraordinary and singular artists around an admittedly arbitrary vision of the antenna, the satellite, the probe, something sent from an era of projected science fantasy into the futures that have now become our pasts. This is not meant to be a serious analysis of science fiction; it is a romance, a story of love and loss, a natural history of grief, a meditation on the impossibility of connection across time and space.
Participating artists: Korakrit Arunanondchai, Dora Budor, Hilo Chen, Xinyi Cheng, Cui Jie, Simon Denny, Daniel Dewar & Grégory Gicquel, Buck Ellison, Carolyn Forrester, Owen Fu, Sayre Gomez, Guan Xiao, Han Bing, Tishan Hsu , Frieda Toranzo Jaeger, Allison Katz, KAYA (Kerstin Brätsch & Debo Eilers), Matthew Lutz Kinoy, Josh Kline, Stanislava Kovalcikova, Heidi Lau, Li Ming, Yong Xiang Li, Liu Chuang, Jr-Shin Luo, Nancy Lupo, Mai Zhixiong, Helen Marten, Alexandra Noel, Peng Zuqiang, Tara Walters, Evelyn Taocheng Wang, Xie Nanxing, Joseph Yaeger, Yu Honglei, Yu Peng, Zhao Gang, Zhou Siwei (alphabetically)
Words by the curator Robin Peckham.
Robin Peckham is a writer and curator who has provided strategic consulting services for private collections with a specialization in complex artist commissions, exhibition programs, and corporate projects. He is the Co-Director of Taipei Dangdai Art & Ideas. Previously, he served as Editor-in-Chief of LEAP, the international art magazine of contemporary China, and founded the Hong Kong project space Saamlung.
Installation Views
Artworks
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Korakrit Arunanondchai, Songs for Dying, 2021
HD single-channel video, color, sound
00:30:18
Co-commissioned by the 13th Gwangju Biennale, Han Nefkens Foundation, and Kunsthall Trondheim作品信息Information -
Dora Budor, Autophones, 2022
Tonewood, goatskin, steel, sex toys
Overall dimensions variable
Exhibited at 59th International Art Exhibition – La Biennale di Venezia: The Milk of Dreams, curated by Cecilia Alemani, Venice, Italy, 2022
Photo courtesy: Filippo Rossi作品信息Information -
Hilo Chen, Untitled, 1969
Oil on canvas
110 x 110 cm作品信息Information -
Hilo Chen, Beach 2, 1972
Oil on canvas
137.2 x 183 cm作品信息Information -
Hilo Chen, Beach 48, 1975
Oil on canvas
76 x 101.6 cm作品信息Information -
Xinyi Cheng, Frosted Window, 2023
Oil on canvas
90 x 70 cm作品信息Information -
Cui Jie, Caoyang New Village, 2021
Acrylic and spray paint on canvas
200 x 160 cm作品信息Information -
Simon Denny, Metaverse Landscape 41: The Sandbox LAND (-1, -36), 2023
Material: Oil on canvas, UV print, Ethereum paper wallet, dynamic ERC-721 NFT
200 x 200 x 4.5 cmPhoto: Nick Ash
Courtesy: The artist and Altman Siegel作品信息Information -
Simon Denny, Metaverse Landscape 39: The Sandbox LAND (87, 192), 2023
Material: Oil on canvas, UV print, Ethereum paper wallet, dynamic ERC-721 NFT
100 x 100 x 4.5 cmPhoto: Nick Ash
Courtesy: The artist作品信息Information -
Simon Denny, Metaverse Landscape 41: The Sandbox LAND (-1, -36), 2023
Oil on canvas, UV print, Ethereum paper wallet, dynamic ERC-721 NFT
100 x 100 x 4.5 cmPhoto: Nick Ash
Courtesy: The artist作品信息Information -
Daniel Dewar & Grégory Gicquel, Oak bench with 22 punctata beetles and snails, 2022
Embroidery on cushion, oak wood
60 x 88 x 68 cm作品信息Information -
Buck Ellison, Stable Marriage Problem, 2023
Archival pigment print
91.4 x 129.5 cm作品信息Information -
Buck Ellison, Untitled (Bannister), 2023
Archival pigment print
121.9 x 162.6 cm作品信息Information -
Buck Ellison, Trembling Hand #1, 2023
Archival pigment print
137.2 x 182.9 cm作品信息Information -
Carolyn Forrester, More Words from a Machine, 2023
Oil on linen
68 x 140 cm作品信息Information -
Owen Fu, Mahogany, 2022
Oil on canvas
152.4 x 213.4 cm作品信息Information -
Owen Fu, Something(伤心) from yesterday, 2022
Oil on canvas
152.4 x 213.4 cm作品信息Information -
Sayre Gomez, Untitled 2, 2022
Acrylic on canvas
203.2 x 91.4 cm作品信息Information -
Guan Xiao, Assassin’s Memories, 2022
Bronze, aluminium alloy, acrylic color, motorcycle handler
102 (H) x 75 (L) x 45 (W) cm
Unique, in series of 3When the day is done,
only a monument that belongs to anonymous is left behind.作品信息Information -
Guan Xiao, Joan of Arc in 1999, 2023
Brass, burnt acrylic color, artist pigment powder, motorcycle part
43 x 34 x 110 cm
Unique, in series of 3作品信息Information -
Han Bing, Sutra XX, 2023
Oil pastel on paper
33 x 43.5 cm作品信息Information -
Tishan Hsu, Boating Scene – Green, 2014
Digital print on canvas, silicone on stainless steel wirecloth, wood stretchers
Diptych: 243.8 x 177.8 x 7.6 cm (2 panels, each 121.9 x 177.8 x 7.6 cm)作品信息Information -
Tishan Hsu, QMH – Bucket Bottoms, 2014
Digital print on canvas, silicone on stainless steel wirecloth, wood stretchers
Diptych: 193 x 134.6 x 7.6 cm (2 panels, each 96.5 x 134.6 x 7.6 cm)作品信息Information -
Tishan Hsu, QMH – Double Ring-Doubled, 2014
Digital print on canvas, silicone on stainless steel wirecloth, wood stretchers
Diptych: 193 x 134.6 x 7.6 cm (2 panels, each 96.5 x 134.6 x 7.6 cm)作品信息Information -
Tishan Hsu, QMH – Missing Photos, 2015
Digital print on canvas, silicone on stainless steel wirecloth, wood stretchers
Diptych: 193 x 134.6 x 7.6 cm (2 panels, each 96.5 x 134.6 x 7.6 cm)作品信息Information -
Frieda Toranzo Jaeger, For new futures we need new beginnings, 2022
Oil and embroidery on canvas, 23 parts
300 x 180 x 180 cm
View of exhibition Frieda Toranzo Jaeger: Autonomous Drive on view at MoMA PS1 from September 22, 2022 to March 13, 2023.
Image courtesy MoMA PS1.
Photo: Steven Paneccasio作品信息Information -
Allison Katz, Milky Way, 2022
Oil and acrylic on canvas
150 x 190 cm作品信息Information -
KAYA (Kerstin Brätsch & Debo Eilers), De Dood De Drom_Catacomb mirror, 2017–2022
Acrylic, patch, UV print, canvas on canvas
130 × 175 cm作品信息Information -
KAYA (Kerstin Brätsch & Debo Eilers), Heeling_Yachtclub Bregenz, 2017–2022
Acrylic, patch, UV print, linen on canvas
130 × 175 cm作品信息Information -
Matthew Lutz Kinoy, Blue after Baltrop, 2022
Acrylic on canvas
370 x 240 cmCourtesy of Mendes Wood DM Photo Photo © Kristien Daem
作品信息Information -
Matthew Lutz Kinoy, River, 2022
Acrylic on canvas
370 x 240 cmCourtesy of Mendes Wood DM Photo Photo © Kristien Daem
作品信息Information -
Josh Kline, Prototype for Supplements (iPhone 6, black), 2022
Two black iPhone 6 phones, gelatin capsules, dyed PETG plastic, acrylic
3.5 (H) x 48.6 (W) x 1.9 (D) cm作品信息Information -
Josh Kline, Supplements (iPhone SE 2nd generation, black), 2022
Six black iPhone SE 2nd generation phones, gelatin capsules, PETG plastic, acrylic
5.1 (H) x 98.1 (W) x 1.9 (D) cm作品信息Information -
Stanislava Kovalcikova, Untitled, 2023
Oil and silver leaf on panel
55 x 69.5 cm作品信息Information -
Stanislava Kovalcikova, Untitled, 2023
Encaustic decoupage on copper plate with feather and other mixed media
22.5 x 24 cm作品信息Information -
Heidi Lau, Metamorphosis II, 2023
Glazed ceramic
30.5 (H) x 29.2 (W) x 15.2 (D) cm作品信息Information -
Heidi Lau, Movement Before Dusk, 2023
Glazed ceramic
35.6 (H) x 29.2 (W) x 10.2 (D) cm作品信息Information -
Heidi Lau, The Unvanquished, 2023
Glazed ceramic
35.6 (H) x 27.9 (W) x 15.2 (D) cm作品信息Information -
Li Ming, 2014201620212022 No.2, 2023
Disposable lighter exploded on handmade watercolor paper, Epson UV print, mounted in aluminum frame
125 x 220 cm (without frame)作品信息Information -
Li Yong Xiang, Study for “Intestinal Demonstration and a Catastrophe”, 2023
Acrylic on paper
40.5 x 30 cm作品信息Information -
Liu Chuang, Anonymous Album, 2008
Kodak Royal Paper, Konica Long Life 100, Fujicolor Crystal Archive Paper
9 x 12.5 cm / each, 90 pieces in total作品信息Information -
Jr-Shin Luo, Cat Litter Cat (straighten) #1, 2023
Cat litter, cast copper, fibreglass resin, acid-free resin, cotton cloth, varnish
95 (H) x 47 (W) x 16 (D) cm作品信息Information -
Jr-Shin Luo, Cat Litter Cat (bend) #2, 2023
Cat litter, cast copper, fibreglass resin, acid-free resin, cotton cloth, varnish
43 (H) x 45 (W) x 16 (D) cm作品信息Information -
Nancy Lupo, Portrait of Teal Swan, 2022
Black paper (cold and hot press watercolor; drawing paper in varying weights, embossed and shellaced wallpaper), Cinefoil, photographs, colored pencil, watercolor, bookbinding tape, PH neutral PVA and “airport quality” glass beads
Dimensions variable (minimum 50.8 x 50.8 x 18 cm)作品信息Information -
Mai Zhixiong, Landscape Series D, 1995
Acrylic and pencil on canvas
200 x 175 cm作品信息Information -
Helen Marten, People, terms in barking (us), 2018
Wood, steel, aluminium, cast resin, cast Jesmonite, embroidered fabric, glazed ceramic, cast bronze, milled modelboard, tree log, coins, rubber, cast aluminium, cast iron, chipboard, shellaced teabags, pressed flower, newspaper, string, Nylon paint on fabric, ash frame
315 (H) x 670 (W) x 440 (D) cm作品信息Information -
Alexandra Noel, A Painting as Big as a Calendar (I must have been 9), 2023
Oil and enamel on wood panel
25.4 x 30.5 x 1.9 cm作品信息Information -
Alexandra Noel, Holding Up the Sky, 2023
Oil and enamel on wood panel
15.3 x 10.2 x 1.9 cm作品信息Information -
Alexandra Noel, Fly Swatters (Positive and Negative), 2023
Oil and enamel on panels
33 x 21 x 1.9 cm
(4 panels in total,13 x 10.2 x 1.9 cm x 2 pieces, 11.4 x 10.2 x 1.9 cm x 2 pieces)作品信息Information -
Alexandra Noel, Stay Safe, 2023
Oil on travertine, freshwater pearls
10.2 x 15.2 x 1.9 cm作品信息Information -
Alexandra Noel, Bookmarks, 2023
Oil and enamel on wood panel
16.5 x 21.6 x 1.9 cm作品信息Information -
Alexandra Noel, Trickle Down, 2023
Oil and enamel on wood panel
15.2 x 15.2 x 1.9 cm作品信息Information -
Peng Zuqiang, The Cyan Garden, 2022
Single channel, Color & BW 16mm
Film transferred to HD video
00:08:05作品信息Information -
Tara Walters, Moonlight Constellations, 2022
Water based paint and the water of the Pacific Ocean on muslin
203 x 244 cm作品信息Information -
Evelyn Taocheng Wang, Friendship, 2023
Gesso primer on linen canvas, embedded 24K gold leaf, acrylic, oil, ink and artist’s seal
195 x 195 cm作品信息Information -
Xie Nanxing, Travel Brochures, 2023
Oil on canvas
120 x 90 cm (triptych)作品信息Information -
Joseph Yaeger, Primary mechanism, 2023
Watercolour on gessoed linen
180 x 150 x 4 cm作品信息Information -
Joseph Yaeger, We swallow dead things, 2023
Watercolour on gessoed linen
31 x 41 x 2 cm作品信息Information -
Yu Honglei, ,#3, 2018
Brass, Stainless Steel, Iron Wire, Paper, Millet Rice
97 x 39 x 57 cm作品信息Information -
Yu Peng, The Dazzling World
Ink and color on paper
121.1 x 42.6 cm作品信息Information -
Yu Peng, The Place Where a Dashing Dragon Hides – as a Fairy, 2004
Ink and color on paper
136.2 x 69.3 cm作品信息Information -
Zhao Gang, Vacation No.6, 2022
布面油彩
180 x 180 cm作品信息Information -
Zhao Gang, Birdman, 2022
布面油彩
50 x 60 cm作品信息Information -
Zhou Siwei, Wind 5G 03, 2022
Color ink on paper
114 x 60 cm作品信息Information -
Zhou Siwei, 5G Wind 04, 2022
Color ink on paper
115 x 64 cm作品信息Information