Acrylic on canvas
70 x 70 cm
Cui Jie
BIOGRAPHY
Cui Jie (b. 1983, Shanghai) currently lives and works in Shanghai. The modernization, the development of city landscape and the unified and tedious style of contemporary architecture has always been one of the topics being discussed in Cui Jie’s paintings of cities. Connecting and intertwining visions of the past and the present under her brushstrokes, Cui expresses her nostalgia for the past and a seemingly utopian exploration for the future landscape, and hence evokes the viewer’s collective nostalgia.
She has been included in Phaidon Press’s publication Vitamin P3. Her works have been placed into the collections of various institutions such as Centre Pompidou, MoMA, Art Institute of Chicago, Astrup Fearnley Museum, Rubell Family Collection, Kistefos Museum and M+ Collection HK.
Selected solo and two-person exhibitions: New Model Village, Focal Point Gallery, Essex, UK (2022); From Pavilion to Space Station, Center for Chinese Contemporary Art, Manchester, UK (2019); The Peak Tower, Pilar Corrias, London, UK (2019); To Make a Good Chair, Antenna Space, Shanghai, China (2019); The Enormous Space (with Lee Kit), OCAT, Shenzhen, China (2018); Latter, Former, Mother’s Tankstation, Dublin, Ireland (2016); Cui Jie: The Proposals for Old and New Urbanism, Leo Xu Projects, Shanghai, China (2014) among others.
Selected group exhibitions: Steadfastly Revise for the Standards in Nonproductive Construction: Part I: Solid Molds, Long March Space, Beijing, China (2022); Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition, UCCA, Beijing, China (2022); Liquid Ground, Para Site, Hong Kong, China (2021); Metal, Wood, Water, Fire, and Earth, Pace Palo Alto, San Francisco, US (2021); L’Invitation au voyage, Esther Schipper, Berlin, Germany (2021); Taipei Biennial 2020: You and I Don’t Live on the Same Planet, Centre Pompidou, Metz, France (2021); Taipei Fine Arts Museum, Taipei (2020); 1st X Museum Triennial: How Do We Begin?, X Museum, Beijing, China (2020); China Africa, Centre Pompidou, Paris, France (2020); Uncompleted, Sifang Art Museum, Nanjing, China (2019); Phantom Plane, Cyberpunk in the Year of the Future, Tai Kwun Contemporary Art Museum, Hong Kong, China(2019); An Opera for Animals, Para Site, Hong Kong, China (2019); Cosmopolis #1.5: Enlarged Intelligence, Centre Pompidou & Mao Jihong Arts Foundation, Chengdu, China (2018); Long March Project: Building Code Violations III—Special Economic Zone, Guangdong Time Museum, Guangzhou, China (2018); FRONT International: Cleveland Triennial for Contemporary Art: An American City, Cleveland, US (2018); Past Skin, MoMA PS1, New York, US (2017) among others.
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Cui Jie, Ground Invading Figure #50, 2022
作品信息Information -
Cui Jie, Ground Invading Figure #51, 2022
Acrylic on canvas
60 x 40 cm作品信息Information -
Cui Jie, Ground Invading Figure #52, 2022
Acrylic on canvas
60 x 40 cm作品信息Information -
Cui Jie, Silver End Village, 2021
Acrylic on canvas
110 x 150 cm作品信息Information -
Cui Jie, Basildon, 2021
Acrylic on canvas
100 x 150 cm作品信息Information -
Cui Jie, Harlow Town Hall, 2021
Acrylic and spray paint on canves
200 x 200 cm作品信息Information -
Cui Jie, Bata Factory and Caoyang Sculpture, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, The Bata Cinema and Caoyang Cinema, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Caoyang New Village, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Caoyang Cinema and Bata Cinema, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Silver End Village, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Silver End Village #2, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Silver End Village and Caoyang Sculpture, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Happy Family, 2021
Color pencil on paper
29.6 x 21 cm; With frame: 36 x 28 cm作品信息Information -
Cui Jie, Shanghai CCB Building 2, 2021
Acrylic on canvas
200 x 180 cm作品信息Information -
Cui Jie, Contessa 2II Chair 2, 2021
Acrylic and spray paint on canvas
250 x 180 cm作品信息Information -
Cui Jie, Rainfall Pavilion, 2021
Acrylic on Canvas
150 × 100 cm作品信息Information -
Cui Jie, Salam Tower, Doha, 2020
Acrylic on Canvas
200 x 160 cm作品信息Information -
Cui Jie, Cell Tree 3, 2020
Acrylic and Spray Paint on Canvas
150 x 200 cm作品信息Information -
Cui Jie, Base Station, 2020
Acrylic and Spray Paint on Canvas
200 x 150 cm作品信息Information -
Cui Jie, The Pinnacle (Nairobi), 2020
Acrylic and Spray Paint on Canvas
220 x 180 cm作品信息Information -
Cui Jie, Bank of Central African States, Yaounde, 2020
Acrylic on Canvas
200 x 150 cm作品信息Information -
Cui Jie, Western City Gate, Belgrade, 2020
Acrylic on Canvas
200 x 160 cm作品信息Information -
Cui jie, Rowell Court, Singapore, 2020
Acrylic on Canvas
200 x 160 cm作品信息Information -
Cui Jie, New Taipei City Hall, Xinbei, 2020
Acrylic on Canvas
200 x 150 cm作品信息Information -
Cui Jie, Office2, 2019
Acrylic on Canvas
180 x 250 cm作品信息Information -
Cui Jie, Regeneration Work Chair, 2019
Acrylic on canvas
160 x 150 cm
2019作品信息Information -
Cui Jie, China Telecom Building, 2019
Acrylic and Spray Paint on Canvas
220 x 180 cm作品信息Information -
Cui jie, China Telecom Building 2, 2019
Acrylic and Spray Paint on Canvas
220 x 180 cm作品信息Information -
Cui Jie, Contessa2ll Chair, 2019
Acrylic and Spray Paint on Canvas
180 x 250 cm作品信息Information -
Cui Jie, Office, 2019
Acrylic and Spray Paint on Canvas
180 x 250 cm作品信息Information -
Cui Jie, Sabrina Chair, 2019
Acrylic and Spray Paint on Canvas
210 x 250 cm作品信息Information -
Cui Jie, Contessa2ll Chair 2, 2019
Acrylic and Spray Paint on Canvas
220 x 180 cm作品信息Information -
Cui Jie, Generation Work Chair, 2019
Acrylic and Spray Paint on Canvas
200 x 160 cm作品信息Information -
Cui Jie, Radisson Blu Hotel Shanghai, 2019
Acrylic and Spray Paint on Canvas
150 x 100 cm作品信息Information -
Cui Jie, Steel Pulling Glass Cutrain Wall, 2019
Acrylic and Spray Paint on Canvas
150 x 200 cm作品信息Information -
Cui Jie, Steel Pulling Glass Cutrain Wall 2, 2019
Acrylic and Spray Paint on Canvas
210 x 250 cm作品信息Information -
Cui Jie, Glass Cutrain Wall, 2019
Acrylic and Spray Paint on Canvas
210 x 250 cm作品信息Information -
Cui Jie, The Peak Tower 3, 2019
Acrylic on Canvas
250 × 210 cm作品信息Information -
Cui Jie, Petroleum Building, 2016
Oil on Canvas
200 x 150 cm作品信息Information -
Cui Jie, Shanghai Education TV Station 2, 2016
Oil on Canvas
160 x 110 cm作品信息Information -
Cui jie, Shanghai Brodcasting Building, 2019
3D Printing
30 × 18 × 45 cm
2019作品信息Information -
Cui Jie, Shanghai Industrial Building, 2019
3D Printing
25 × 32 × 46 cm作品信息Information -
Cui Jie, Shanghai East China Electric power Building 2, 2019
3D Printing
38 × 30 × 45 cm作品信息Information -
Cui Jie, Shanghai Light Building, 2019
3D Printing
20 × 13 × 46 cm作品信息Information -
Cui Jie, Generation Work Chair, 2019
3D Printing
23 × 15 × 46 cm作品信息Information -
Cui Jie, Sayl Chair, 2019
3D Printing
19 × 18 × 45 cm作品信息Information -
Cui Jie, Contessa II chairs, 2021
Color pencil on paper
29.6 x 21 cm作品信息Information -
Cui Jie, Contessa II chairs 2, 2021
Color pencil on paper
29.6 x 21 cm作品信息Information -
Cui Jie, Sabrina chair and Contessa ll Chair, 2021
Color pencil on paper
21 x 29.6 cm作品信息Information -
Cui Jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2018
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2017
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2017
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2016
Color Pencil on Paper
27.5 × 36.2 cm作品信息Information -
Cui Jie, Untitled, 2016
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2016
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2016
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2016
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information -
Cui Jie, Untitled, 2015
Color Pencil on Paper
36.2 × 27.5 cm作品信息Information
Artworks
EXHIBITIONS
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Cui Jie | “Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition” @ UCCA Center for Contemporary Art
2022.04.16-2022.08.14
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CUI Jie | “New Model Village” @ Focal Point Gallery
2022.03.06 – 2022.06.12
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Cui Jie | “You and I Don’t Live on the Same Planet” @ Centre Pompidou-Metz
2021.11.06-2022.04.04
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Cui Jie | “Liquid Ground” @ Para Site
2021.08.14-2021.11.14
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Cui Jie | “Taipei Biennial 2020” @ Taipei Fine Arts Museum
2020.11.21-2021.03.14
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Cui Jie | “China Africa” @ Centre Pompidou
2020.03.04-2020.05.18
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Cui Jie | “FRONT International: Cleveland Triennial for Contemporary Art—An American City: Eleven Cultural Exercises” @ Cleveland Triennial for Contemporary Art
2018.07.14-2018.09.30
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Cui Jie | “The Enormous Space: Double Solo Exhibition of Lee Kit and Cui Jie” @ OCAT Shenzhen
2018.01.20-2018.04.08
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Cui Jie | “The New Normal: Art and China in 2017 ” @ UCCA Center for Contemporary Art
2017.03.19-2017.07.09
NEWS
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Cui Jie’s Solo Exhibition “New Model Village” – The Guardian | Words: Skye Sherwin
It was less the architecture that interested Cui, however, than “the elements that are nowhere to be found today: who used to live there, the communal lifestyle and intimacy between people. Unlike buildings, traces of life can easily fade away.” A number of her works explore how communities’ aspirations and ideology are shaped by our surroundings. In drawings, Caoyang’s social realist public statues – including weavers with arms raised like conquering divinities – merge with edifices from the Bata estate. Elsewhere, Bata and Caoyang’s cinemas blend. Although western and Chinese movies were poles apart politically, she points out “they were both ritual spaces where the public is to be collectively entranced. We can clearly see the aesthetic function of the statues: they reveal the ideal state of trance.”
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Gates to the City: Cui Jie | Owen Hatherley
Looking at the work of Cui Jie from a northern European perspective, the first error is probably to think you’re seeing some form of lament for a modernist past. That narrative is fairly familiar now, based on a longing for the largest-scale remnants of the material culture of postwar social democracy or state socialism—the buildings they left behind to be inhabited or ruined under neoliberalism. -
Cui Jie: Lines of Flight between Surface and Model | Yuan Jiawei
Amid a wave of postmodernism, this full-fledged approach of developing and utilizing the value-in-exchange of symbols caused a breach in creative barriers between art and architecture, and cast light on the way in which modernism captured pure form. In particular reference to urban construction and development, the interchangeability of the identity of artist and architect is instrumental in pushing the notion of space towards a dimension verging on democracy. In this vein, Cui Jie, an artist who came of age in the 1980s and 90s, shows a keen grasp on the various architectural patterns that have had a profound effect on the rapid renewal and expansion process of Chinese cities, and is adept at selectively harking back to these precedents of modernization in her painting and sculptural practice, thus triggering a momentary sense of the immediate future. The architect’s psyche reflected in her work goes beyond a mere collage-like schematization of architectural elements. Instead, her works are predicated on a technical enthusiasm for the city’s “autonomous surface” (hereafter referred to as the “epidermis”) and a pattern recognition of geographical misplacement or anachorism. -
Rearviews & Mirrors: Architecture, idealism and anachronism in the work of Cui Jie | Zhou Ying
Representations of the future always look dated as soon as the future itself arrives. Part of China’s post-1980s generation, the artist Cui Jie makes paintings that continually confound our sense of time in their seeming nostalgia for the future. Set against a metallic sky and often floating above a similarly reflective gridded ground, Cui’s technically exquisite renderings of built forms not only capture a specific typology of urban China’s modernist artefacts; together with her more recent sculptures, they scrutinize the veracity of modernism as an ideology claiming the future. To the artist, who did a residency last year in Tel Aviv, the flawless International Style of the white city is appealing but not all that ‘interesting’. What compels her is precisely the opposite: the seemingly arbitrary, erratic and often jarring juxtaposition of an appropriated modernism against a context that is, in itself, rapidly shifting. Reconstructed amidst the chaos of China’s urban transition, the pristine, future-facing forms of Western modernism read as anachronisms.